Dear Readers,
I am pleased to announce the arrival of Multnomah County Library’s brand new zine collection! (What’s a zine, you ask? The short answer is: an independently produced publication. But there’s lots more to it than that; take a look at a bit of a long answer.)
Zines are on the shelf and ready for you to read and check out at Central, Hollywood, Midland, North Portland, Northwest, and Sellwood-Moreland libraries. The collection includes a myriad of fascinating zines on subjects such as women’s experiences in prison, vegan cooking, political theory, bicycling, fat activism, college radio, and more. The library also has fiction and short story zines, and zines relating personal experiences working as a camp counselor, being a modern mom, living with disease, and many other topics.
So, if you’re here in Portland you should stop by the library and take a look — whether you’ve never heard of zines or are an aficionado, I’m sure you’ll find something to pique your interest.
And, the library’s zine staff will be hosting a grand opening party on January 28, 2007, from 12-3 p.m. in the Periodicals room, on the second floor of Central Library. There will be donuts and hot beverages, so come eat, celebrate, and perhaps do a bit of reading too (and we can all try not to get the zines too sticky!).
Lucifer [comic book series] / Mike Carey, writer ; [various artists] ; Daniel Vozzo, colorist ; [various letters] ; based on characters created by Neil Gaiman, Sam Kieth and Mike Dringenberg.
New York : DC Comics, c2001- .
[MCL call number: GN CAREY; number of copies and holds vary for each volume]
First, imagine that the Devil is real. Now speculate on what would happen if he left Hell — just walked away from the place without a care for what would happen there without him.
This is the beginning of a tangent left unfinished by one of our generation’s greatest storytellers, Neil Gaiman, in his epic The Sandman. Carey has taken up the tale of Lucifer and run screaming past the end of the world and back again, several times. Anyone who read even the teensiest bit of Sandman and enjoyed it (or, I have on good authority though I have not read it myself, anyone who is familiar with Milton’s Paradise Lost) will find easy entry into this sharply beautiful series of comics.
Filed under: art & entertainment
Yesterday’s houses of tomorrow : innovative American homes, 1850 to 1950 / H. Ward Jandl ; with additional essays by John A. Burns and Michael J. Auer.
Washington, DC : Preservation Press, c1991.
[MCL call number: 728.0973 J33y; two copies, no holds]
Obsession with the future is a national pastime in the United States. Our culture provides the perfect environment for developing the combination of optimism, faith in man’s domination over nature, and creativity that is required to make futurists welcome as more than just amusing lunatics. Attempts to get to the future faster have driven inventors, designers, and planners to great and ridiculous heights. In hindsight, some of their ideas and accomplishments seem brave and intelligent (the standardization of sizes for building materials, solar power), and some seem unworkable or even preposterous (houses made entirely of steel, the nuclear automobile).
Yesterday’s Houses of Tomorrow explores a slice of the American obsession with the future. The history of twelve futuristic single-family homes is told in short essays illustrated with architectural drawings and black-and-white photographs. Catharine Beecher’s ideal house built around the duties of the housewife and the promotion of health and well-being, Thomas Edison’s house made of poured concrete (the entire structure poured at once into complex molds), Buckminster Fuller’s Dymaxion Living Machine, the all-metal Lustron, and eight other wonders are fully described.
The houses in the book were, by and large, intended as models for mass production. Their designers promised they would cost less to build and to live in than traditional houses, be more fitted for the changing needs of the modern family, be healthier, more beautiful, and sturdier. They were intended to have the potential to be within the reach of the average American financially and socially. These houses were designed to be tools for advancing our society. Entire neighborhoods, even entire towns and cities were imagined, filled with more perfect houses that could reflect the modern spirit of their inhabitants, possibly even drag them into the future.
Sadly, most of these incredible houses never advanced beyond the prototype stage, though elements of some have changed the building industry forever. It is interesting how much we have to learn from old ideas of what the future will bring. Many of the houses Jandl, Burns, and Auer describe look eminently livable to me. I live in a small house, and would love a rolling, expandable dining room table or a bed that would fold down from the wall either inside into the bedroom, or out into the yard on warm summer nights. Doesn’t that sound nice?
